![](upload/2016-02/16021517569060.jpg)
油滴玉壶春瓶 元 山西窑场
![](upload/2016-02/16021517567393.jpg)
![](upload/2016-02/16021517561790.jpg)
油滴玉壶春瓶 元 山西窑场
![](upload/2016-02/16021517572527.jpg)
![](upload/2016-02/16021517573994.jpg)
红油滴茶罐 元
![](upload/2016-02/16021517579456.jpg)
![](upload/2016-02/16021517576103.jpg)
黑釉剔花填白卷草纹嘟噜瓶 元
![](upload/2016-02/16021517588797.jpg)
![](upload/2016-02/16021517589763.jpg)
褐釉剔花卷草纹嘟噜瓶 元
![](upload/2016-02/16021517584370.jpg)
![](upload/2016-02/16021517586086.jpg)
黑釉剔花缠枝花纹玉壶春瓶 元
![](upload/2016-02/16021517599357.jpg)
![](upload/2016-02/16021517598071.jpg)
黑釉刻划莲荷纹梅瓶 元
![](upload/2016-02/16021517596828.jpg)
![](upload/2016-02/16021517594069.jpg)
茶叶末釉剔花卷草纹梅瓶 元
![](upload/2016-02/16021518005874.jpg)
![](upload/2016-02/16021518001057.jpg)
黑釉剔花卷草纹梅瓶 元
随着两宋王朝的远去,斗茶文化、饮茶方式的改变,黑釉瓷也逐渐退出了历史舞台;且又因为元、明、清时期,中国瓷业的中心转移到了景德镇后,素雅沉静的青花和五色斑斓的彩瓷,独领风骚、一统了中国瓷器的江湖。黑釉瓷也就离中国瓷器的主流越来越远,并最终从中国瓷器史的嫡系中悄无声息退出了。